Category Archives: Uncategorized

You Weren’t Using Those Joints, Were You? 5 Essential Tips for Injury-Free Shoulders

By 23 commentsAlternative Treatments & Bodywork, Injuries, Uncategorized

When I first fell in love with aerial silks about 18 years ago (be kind, don’t do the math), I tackled it the way I approach just about everything in my life: HEAD ON. I’m not known for moderation, and I set up a training schedule that would make Cirque du Soleil’s rehearsal schedule look like the Dolly Dinkle School of Circus. And then, I got schooled. Big time.

The Trials of Tendinitis

It started with a little burning in my arm around the deltoid muscle. I put heat on it (fatal mistake #1), got a massage (fatal mistake #2), and kept right on with my INSANE training schedule (the nail in the coffin). Within two weeks, I couldn’t even lift my arm. I was diagnosed with severe tendinitis and bursitis, and told by a doctor that I would never climb again (that’s a story for another time). Thankfully, a friend brought me to the physical therapists who treat the Soleil artists in Montreal, and they helped me get back in the air. It took about three years before I was working totally pain-free, and my shoulder was damaged irreparably (I’ll need a new one someday). So how can you avoid making the same mistakes I did? Here are some thoughts, though this is just the tip of the iceberg.
  1. Maintain proper shoulder positioning while training. Shoulders should be engaged, but not pulled all the way down (think about your scapula wrapping around towards your sides, and your shoulders in a half shrug). For an AMAZING, in-depth look at this, read Dr. Jen Crane’s article here.
  2. Train consistently. On-again-off-again training is really hard on the body. If you’ll be away from your beloved apparatus for a time (VACATION! WOOOOOOOOOOOOOO!!!!), make sure you train exercises (PULL-UPS!) appropriate to your circus discipline.
  3.  BUT, don’t over-train like I did. As hungry as you are in the beginning for training, ramp it up slowly. Flinging yourself full steam into a intense training regimen is a sure-fire way to wind up awesomely injured. Start with one or two classes a week, supported by Pilates, weight training, stretching, and whatever else your little heart desires, just ramp up GRADUALLY – you can open up a can-o-whoop-ass on yourself as you get stronger.
  4.  Pay attention to sensation. Feeling a burning, grinding, clicking, or other pain in your shoulder (or any other) joint? STOP. Get thee to a physical therapist, and take a break. When you’re ready to come back, make some time with your coach to have your form evaluated (** a bit of candor here – not all aerial teachers are well-versed in proper shoulder alignment. Can they speak knowledgeably about the structure of the joint, etc? Something to keep in mind.)
  5. Treat inflammation aggressively. I don’t think it’s ever a bad idea to ice your shoulders (or other iffy areas for you) after class or a workout whether you have pain or not – break out those frozen peas! Heat + inflammation = more inflammation, so consider stepping awaaaaaaaaaaaaaaaaay from the heating pad until you know what you’re dealing with. NSAIDs (ibuprofin, etc.), cortizone shots, and physical therapy are common items in the Western artillery to treat inflammation. I’ve had phenomenal results with acupuncture, and lots of folks swear by their chiropractors. Dealing with inflammation? Do what your doctor advises, and don’t be afraid to get a few opinions (and dip a toe outside the traditional western medical approach).

Chocolate and Flowers?

Keeping shoulders happy is quite the endeavor – I’m still learning a lot! It’s a funny joint: lots of mobility = lots of instability. Have you had shoulder issues? What worked for you? What didn’t? Share share share! Love and pull-ups, Laura

UPDATE: Many thanks to Heather from Asheville Aerial Arts for the awesome comment about the “Thrower’s 10” – resources below!

Thrower’s 10 Shoulder Exercises PDF:  http://www.safethrow.com/ExerciseThrowing/Thrower’s%2010.pdf

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Fix Those Questionable Lines – Ballet Beginnings For Better Aerial Extension

By Exercises, Training, Uncategorized

OK, true confession? I saw video of myself rehearsing last week and nearly wept. Time for an Aerial Extension Intervention, stat!

 Frequent Offenders

When we talk about “lines”, we’re referring to the extended alignment of the body. Some aerialists have glorious lines, while some of us have to chant, dance, and make ritual sacrifices to get our legs over our heads. Whichever camp you’re in, the rules are generally the same (unless you are deliberately distorting the line for choreography’s sake):

  • Straight or lengthened legs
  • Deliberate toes (pointed, flexed, etc.)
  • Long, lengthened arms and torso
  • Lifted chest (when in doubt, boobies out!)

This is a small list, but it should get us pointed (ha – get it?) in the right direction.

(Not So) Fast Fixes

Alas, the road to lovely lines is a bumpy one (somebody stop me!). Strong extension can take a while to cultivate, but the journey of a thousand miles begins with a single step! They are non-negotiable in professional aerial work, and worth every minute you spend with your trusty theraband. As you’re watching your videos, pay special attention to loose legs, floppy feet, questionable shoulders, etc. Spotting some bits that need work? Try this:

  • Bent knees – straighten your leg (duh). But often, what feels straight is still bent, so think about lifting your kneecap with your quadricep (front of the thigh) muscles, or “pretending you don’t have knees” as one delightful dangler recently suggested.
  • Sickled feet – think about winging your pointed foot outward. I’ve always found it helpful to think about “energy out the feet” or “out the leg”.
  • Chicken wing arms – ya’ll, chicken wings are for Friday night happy hour, not aerial work. Extend extend extend, or tuck your elbow into your side when a bent arm is called for.
  • Rounded back – when in doubt, BOOBIES OUT! Tilting your charms slightly towards the ceiling (or floor, depending on your orientation) will keep the back longer instead of rounded.

The video below shows some excellent exercises for improving your aerial lines. A strap or theraband works well for the leg stretch exercise if you can’t get your ankle comfortably into your hands, and you can probably skip the tendus if you want. We’ll look at more specific fixes for each Extension Violation in the future, but this will give you a great start. Your lines could ALWAYS be better whether you’re a beginner or a pro, so get going! Love and pull-ups, Laura

 

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An Artist’s Work is Never Done – Or is It?

By Performance, Shows, Uncategorized

Takin’ it back to the studio!

Hello Dear Danglers! I found the blog post below while zooming around the interwebs the other day, and thought I’d share it with you! The author, Michael Roberts, has a great site called Revive Your Creativity dedicated to helping artists get organized and “get the work done” – you can check it out here (because seriously – you need to get the work done).

As a aerialist, I have a full repertoire of performance-ready pieces, but every single one of them has gone “back to the shop for repairs” as my skills grow, my strength improves, or my artistic vision for the act changes. Ever gone back to a piece or watched video and had a giant “oh-sweet-heavens-what-was-I-thinking-face-palm-moment”? Yep – me too. As circus artists, we are in the unique position of working in what I call a “fluid medium”, meaning that many of our creations can be considered both complete (performance ready) and never finished at the same time – how awesome is that?

I really like what Michael says about our art needing an audience, what it means for our piece when we can’t find one (back to the drawing board!), and letting go of the fear of the criticism of our work. Remember: no one ever died because Jane the Circus Critic said their work was le poo and their feet were sickled. Tell Jane to go jump in the lake, take a good long look at your act, and (for the love of God!!!) fix those feet. Have a read – hope you like it! Love and pull-ups, Laura

Seeking Validation as Artists

by Michael Roberts, Revive Your Creativity (used with permission)

How do you decide when you should feel good about your art? How do you decide when something is “good enough”? How do you know when an artistic project is actually done?

These are some of the questions that haunt artists. I’ve heard plenty of stories of artists who could never be happy with the work they produced. If they keep fidgeting with the work, then perhaps they will suddenly achieve some sort of perfection – even though true perfection isn’t even possible.

But why do we give in to this sort of indulgent behavior? Why do we go back for the twenty-fourth revision?

The Excuse of “In Progress”

As long as our work is “in progress”, then there is a plausible excuse for the flaws that are present. As long as the work isn’t completely finished, then we’ve given ourselves a chance to fix it. Just maybe we’ll avoid the harsh criticism of the audience. Even more importantly – maybe we’ll be able to catch the audience’s attention in the first place.

There are difficult truths we have to realize in these vulnerable stages.

We can’t be perfect. No matter how hard we try. No matter how many revisions. We just can’t do it.

We can’t improve by staying in a perpetual state of revision. Art needs an audience. If the art can’t find its audience, then that problem is telling to problems that may need to be fixed. If the art meets with just criticism, then the artist can find ways to improve for the next project.

People will always have issue with what you create. We can’t please everyone in any area of our lives. Why would a deeply personal expression like art be any different?

Accepting and Letting Go

To many artists, the toughest point of creation is letting go, of showing someone else the artwork for the first time. It’s terrifying. We put ourselves into our art, and then we readily release it to a world who may or may not appreciate it.

But, art is communication. Communication is rather inefficient if we keep it to ourselves.

There are artists who create only for themselves, but the work can’t grow. It can’t reach anyone if it isn’t shared.

If we can never overcome the fear of sharing and the fear of rejection, then we can never grow as artists.

Start small. Don’t show someone your biggest project that you’ve been working on for years. Show a quick project to someone and experience the emotions that come with the possibility of rejection. Then, build your way up.

We don’t have to throw ourselves into the worst situations so that we can somehow earn more merit by “suffering as artists”. Protect your heart. You’ll need it for all the beautiful works you’ve yet to create.

To read more cool stuff from Michael, head on over to http://reviveyourcreativity.com/.

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How to Organize Your Training So You Actually Get Stuff Done

By Awesomeness, Training, Uncategorized

OK – raise your hand if you’ve ever reserved rehearsal space for yourself, hung your apparatus, and then spent the next 75 minutes noodling around four inches off the floor, stretching endlessly on the floor, or gossiping with Jane at the desk. Sound familiar? Yep – I thought so. Here’s how to organize your training so you maximize improvement, save money, and leave feeling awesome about the work you’ve done. Onwards!

My Struggle with Training (Cue Sad Violins)

Me the day my wheel teacher left…

Those of you who see me on a weekly basis know how painful the past month has been – my wheel instructor has been away and left me to fend for myself (sniff…). The first week was fine, I was super productive during training, and wheeling hard. Week two? Still good, but I found myself getting a little chatty with everyone in the space, and maybe I opted out of some moves I didn’t feel like doing that day (I’ll do it TWICE tomorrow!). Week three was le poo. I was all out of motivation, hard things were still feeling hard, and I spent more time mindlessly rocking and singing “Baby Got Back” than I did actually wheeling. Training FAIL! So, I made myself a little listie that got me back on track in one session – BAM! (Because I love ya’ll, I’m sharing it with you! See below!)

How To Structure Your Acrobatic & Aerial Training for Maximum Results

1. Give yourself a specific goal. If you’re not working towards a specific goal (a show or act creation, for example), it’s tough to keep the motivation flowing. Give yourself something really concrete and important to work towards, even if it’s only stringing together a couple of moves – everybody starts somewhere! 🙂

2. Train with a friend or two! It’s more fun, you’re less likely to slack of in front of others, and it’s often cheaper to train with a crew. Also? They will tell you when something is not pretty.

3. Know thyself. For me, 60-90 minutes of focused training is perfect. Any longer and I start singin’ bad 80’s rap, and nobody wants that. Figure out your optimum training time and stick to it.

4. Video. It may be depressing to realize that wrapping one leg around your head twice doesn’t look nearly as awesome as you thought it did, but at least you know. Also? Your knee is bent and your foot is sickled. 🙁

5. Make a list. Now, I know you’ve been keeping careful notes of what you work on in class (you are, aren’t you?). So, make a Work Sheet! Include your vigorous warm-up, moves you’re comfortable with, moves you need to work on, conditioning, and deep stretching.

A little gem of wisdom I recently got. Ask yourself: what’s the one thing that, if I trained it consistently, would make a huge difference in my circus work? Got it? Ok, why aren’t you training it? I don’t know either. Get on that TODAY, Dear Dangler!

NOW, a wee giftie from me to you! Click here for a free template to get you started (no opt-in required), and the next time I see you working out, I want to see you actually working out! Big love and pull-ups, Laura
 

 

 

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Be Very Afraid: How Fear Makes You a Better Aerialist

By Attitude, Safety, Training, Uncategorized

Blog Confession: I have a lot of fears. I have a fear of falling and getting badly hurt, a fear of being run over by my German wheel, a fear of Brussels sprouts (they are EVIL), the list goes on and on. Is there a time when fear in aerial work actually increases your awesomeness potential? Let’s discuss.

The “Let Go” Guy

I had a student a few years ago, let’s call him Sam, who had zero fear. I mean zero. Zero fear, zero hesitation, and zero natural normal totally healthy instinct for self-preservation. He would get into the air, maneuver into whatever position we were working on, and then just LET GO, or something equally terrifying. He was super fun, but I had to wear Depends to every class because he made me pee my pants each time he went up. Eventually, I had to stop teaching him because his lack of concern for his bodily safety made him wildly unsafe and unpredictable. Womp womp.

Healthy Fear versus Uncontrolable Terror

A little fear in the air keeps you safe. Having a healthy respect for heights, correct rigging, and the aerial acrobatics themselves is a GOOD THING!!!!

There is a recent trend in aerial training, in which a teacher has a student get into the air, then instructs them to let go and fall, all in the name of “getting over your fear of falling”. Allow me to be candid: this is bonkers. Hear me now, peeps – I WANT you to have a concern about falling, the same way I want you to have a concern about electrocuting yourself, stabbing yourself repeatedly in the eye, or getting diseases that require massive doses of penicillin. If your class is raining students, time to find another instructor – yours has probably taken one too many blows to the head as they were “getting over their fears”. (Note: that said, learning HOW to fall is a different thing entirely, and a great technique to go over with a skilled professional).

Your fear becomes way less of a good thing when it’s crippling, keeps your from progressing, or is just making you miserable (please believe me – I know from whence I speak). If this is something you’re struggling with, here are a few things to try:

  • Go slooooooooooooooooowly. Almost every move under the sun has a way to progress inch by inch.
  • Identify the scariest part, then assess with your coach whether it’s a reasonable fear or not. For example, I was worried about rolling over my leg during a move in wheel class yesterday, until my instructor pointed out that it was physically impossible unless I lay on the floor and deliberately had someone repeatedly roll the wheel over my leg. Fear gone!
  • Share your fears with your teacher, your classmates, and anyone else you know will be supportive; it’s a little less scary when everyone is chanting, “ROCKSTAR! ROCKSTAR! ROCKSTAR!”

In closing, please know this: your fears are fine. Your fears are normal. Your fears are reasonable. You CAN do aerial work with a fear of heights, or a fear of falling, or even a fear of Brussels sprouts. We work with them (the fears, not the Brussels sprouts), and eventually they diminish or change.  So own ‘em, state ‘em, appreciate ‘em, and then whoop their asses (well, just enough so they know who’s boss). Love and pull-ups, Laura

“We gain strength, and courage, and confidence by each experience in which we really stop to look fear in the face… we must do that which we think we cannot.” – Eleanor Roosevelt

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Gently Used or Badly Abused? What You Need to Know Before Buying Used Equipment

By 2 commentsSafety, Supplies, Uncategorized

So. Your best friend’s aunt’s veterinarian’s beautician has a cousin who does some aerial stuff. He’s looking to sell some equipment he no longer wants, do you want to buy it? Um, no, friend, you do not. I don’t care if he’s selling 25 swivels for a dollar. Say it with me: no. NOOOOOO.  Here’s why.

You Don’t Know Where That Thing Has Been!

The number one reason to be cautious about buying used rigging or equipment is that you don’t know its history. Variables such as weather, light or heavy use, improper maintenance, whether it’s been involved in an accident, and a host of other things affect the strength and integrity of the goods. When I buy new, I know exactly what I’m getting – and I just can’t get enough of that new swivel smell!

Seriously – someone’s hairy boyfriend could have rubbed his sweaty body up and down that equipment, licked it, frolicked nekkid on it, thrown it off a cliff, and YOU WOULD NEVER KNOW. I’m just sayin’.  It could have happened.

I’m Going to Sue You And Laugh All the Way to the Bank

It’s one thing to buy equipment for you; it’s a whole other ball of wax to buy equipment with the intention of teaching (torturing?) other people on it. Aside from the shady ethical issues, the liability is a whopper. If there was ever an incident, and your tush was dragged into court, they would want a solid history of that rigging. If they find out you bought it second hand, that’s not going to weigh in your favor.

The Exception to the Rules

Goodness, I hear you! Deep breath. I know most of us have bought used stuff, and there is always an exception to the rule. Here are mine:

  1. I will purchase gear from professional, certified riggers I know and trust. If, for example, Tracy Nunnally from Hall Associates Flying Effects tells me a piece of equipment is sound, I’m good with that. He knows rigging (and the care and inspection of said rigging) better than I could ever hope to.
  2. For personal use, I’m OK with easily inspected equipment from people I work with closely (steel rescue 8’s for example).

Bottom line? If you don’t know how to inspect it (for realz inspect it, not just look at it, turn it around a few times, stretch it, or thwack it), or there IS no way to properly inspect it, then buy at your own risk. Stay safe, peeps, the world is a better place with you in it and intact. Love and pull-ups, Laura

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How To Get An Awesome Split Part 2: VIDEO

By 3 commentsFlexibility, Training, Uncategorized

Hello Dear Danglers! Hope you enjoy watching this as much as I enjoyed making it. Be sure to watch to the end for the bloopers! Love and pull-ups, Laura

 

 

 

PS – this video is aimed at folks working towards a 180 degree split. If you’ve hit that, go ahead and train further! Work on squaring the hips, or elevate the front leg a bit at a time to develop an oversplit. My students and Ihave gotten the best results by holding each stretch for 10 seconds, and going through the series at least once a day. Alternatively, hold the stretch longer, but vary the angle and position (“move” through the stretch) – this prevents too much strain on one area. Consistency counts – this won’t work if you only stretch once a week.  Remember – never stretch a cold muscle!!!!!! Peace out, yo.

 

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How to Get an Awesome Split Part 1 – Mistakes to Avoid Like the Plague

By Flexibility, Training, Uncategorized

Is your split lookin’ a little triangular these days? Yup – there’s an app for that (you wish). Kick that sorry straddle to the curb – it’s splitsville, baby!

How NOT To Increase Your Split

  • Force it – Hey, if something won’t move, forcing it’s a great idea, right? Nope. Bad. It’s not a peanut butter jar, it’s your muscles! Don’t ever force a split – be where you are on any given day.
  • Hold it forever – Holding a stretch for an hour is great advice if you’re in 1985. The most recent research suggests holding a stretch around 30-60 seconds 3-5x per week, and varying the angle. If you’re sore after stretching, that’s a Big Red Flag that you’re actually injuring your muscles.
  • Rely solely on stretching – because stretching is the BEST way to increase flexibility, right? Well, yes… and no. Would you believe that strengthening is just as important? Stretching is a part of increasing flexibility, but so is strengthening the muscles at the end range of motion, and activating the opposing muscle group.
  • Tear your hamstring – I see this ALL THE TIME. Suzie AwesomeStudent decides she’s going to get her split this very weekend, so she spends an hour a day stretching it. By Monday, her muscles are sore, her hamstring lightly torn, and her splits worse than they were when she started. So what went wrong? The short answer is that hamstrings are prone to tears (getting one is often referred to as “popping a hamstring”). Pop a hamstring and you’re looking at a minimum of 6 months of reduced flexibility – total bummer when you were trying to do the opposite. Also a bummer? That injury is going to heal with scar tissue which is less flexible. Boooooooooooo all the way around.
  • Stretch an injured hamstring – Try this. Break a plate in half. Glue the two halves together. Every 10 minutes, pull the plate apart and try to stick it back together. Is it fixed now? How’s that working out for you? If a muscle is injured, the LAST thing you want to do is stretch it deeply. By all means, take it through its pain-free range of motion, but once you hit the injured bit, ya gotta stop. That totally goes against our nature, doesn’t it? Physical therapy remains the best and fastest way to heal a hammie – get thee to the PT pronto.

OK Miss Smartypants – How Would YOU Do It?

Tune in next week to find out! I’ll even be including VIDEO of my favorite series of “increase your split” stretches! WOOT! Love and pull-ups, Laura

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Circo- Masochism – How Much Pain is Too Much?

By Safety, Training, Uncategorized

This week’s blog post goes out to Bethany (HELLO!), who asked a really great question: how much pain is too much? For those of us who fold ourselves in half backwards or hang by one toe for a living, this is definitely a gray area (50 shades of gray, perhaps?). So, how do you tell the difference between “pinchy pain” and “oh-my-gosh-my-ankle-is-being-separated-from-my-body” pain? How much of a masochist do you have to be to succeed in circus?

Pinchy Pain – Circus Hurts

Me experiencing some Pinchy Pain in a wrist hang at a recent event!

Pinchy Pain is the sensation that accompanies much of the cool stuff in circus – single ankle hangs, toe hangs on trapeze, wrapping your leg around your head four times, etc. It can be intense, but beyond a little bruise or “apparatus hickey”, you shouldn’t be doing significant damage to your body. How do you get past it so you can smile at the audience instead of grimace?

  • as you’re transitioning into the pinchy part, BREATHE. It doesn’t get better if you hold your breath, because now you’re suffocating AND getting a bruise. Let’s not compound our pain.
  • understand that there’s a point at which the pain doesn’t get any worse – when it becomes tolerable. When you hit that level, lean into it.  (**a note for menstruating humans: your experience of pain intensity will vary week by week during your cycle, so something that feels Too Painful one week may be much more manageable the next)
  • RESPECT YOUR LIMITS AND INSIST THAT YOUR COACH RESPECT THEM AS WELL. I cannot overstate this. It’s your body, and if it breaks, you’re the one who has to live in it. So if your coach is pushing too much, you can say something along the lines of, “Wow – that’s intense! I’m going to work up to that!” Then back off to a level you’re comfortable (well, slightly uncomfortable) with.

Eventually, that toe hang that felt like it was severing an artery doesn’t hurt anymore, and you can move on to the next thing. Your coach will likely warn you if something’s gonna hurt, so check with them if something is super ouchie and you’re not sure it should be. Circus hurts sometimes, but it doesn’t hurt forever.

Damaging Pain – You Didn’t Need That Kidney, Did You?

Damaging Pain is exactly what it sounds like – pain that is warning you of significant damage to your body (sprains, strains, tears, serious bruising, breaks, bad burns, tendonitis, etc).  Pain is your body’s way of setting boundaries; it’s kind of like your body’s “safe word” – there’s a warning, then there’s the no-go zone.  It goes without saying that you want to avoid Damaging Pain whenever possible – you don’t get a gold star for injuring yourself. A little bruise or callous rip is one thing, chronic tendonitis or bruised kidneys is something very different. It can take some time to discover exactly what those boundaries are for you, so until you’ve got a good sense of it, play it safer.

  • you can feel sore in the days after a class (especially early on), but you don’t want to feel broken
  • beware of burning, grinding, sharp, intense, or tearing pain
  • when in doubt, BACK OFF. If you take one thing from this post, let it be that.

At the end of the day, you’ve got to find that sweet spot between pushing your boundaries so you can grow, and taking care of the only body you have. You have to KNOW your body, and circus is an amazing place to learn that. Be safe, and I’ll see you in the air! Love and pull-ups, Laura

 Photo: Alejandro Garcia

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Do You Really NEED an Aerial Warmup?

By 1 commentExercises, Training, Uncategorized

Aerial warm-ups were the hot topic this week in the blog-o-sphere. What are the essentials for a good warm-up? (chocolate, red wine, Vampire Diaries) Do you really even NEED a warm-up? (yes)  How long should it last? (depends) What should it include? (again, depends) What should you wear? (tiara) These are the pressing questions of our times, people! Come with me.

Why Warm Up, Anyway?

Well, you can certainly skip it if pulled muscles, ruptured discs, and spontaneous combustion sound like a good time to you. BUT, if you’re someone who would prefer to reduce the risk of injury (and spontaneous combustion), you would to well to do some sort of movement prep before you work in the air – it will lube up your joints, get blood flowing to your muscles, and (most importantly) alert you to “creaky” areas you’ll need to be aware of during your training.

What to Include in a Proper Aerial Warm Up

Depends. Warming up for a show where you’re about to ask your muscles to go at full throttle for 6 minutes is really different from a warm-up before an aerial class, where you’re likely to do an aerial warm-up and progress more slowly through your moves. Today, I’ll focus on the latter. A good pre-class warm-up usually includes:

  1. Raising your core body temperature. If I don’t see a glisten of sweat on your brow, you’re probably not as warm as you need to be. Jumping jacks, jogging or marching in place, dancing, or this clip from “The Vampire Diaries” will all raise your temperature.
  2. Taking your body through it’s anticipated range of motion. Arm/shoulder/neck circles, rolling your spine up and down, shaking out fingers and wrists, up-dog, down-dog, inch-worms, electric slide, you get the picture.

That’s it! Notice I did NOT say “deep stretching” – click here to find out why.

Why It’s Not My Job to Make Sure Your Body is Ready for Training

WHAT?! But I’m the teacher! This can’t be right! Oh, but it is, Dear Dangler. Your body is your responsibility, and you know it better than I ever will! My warmup will be wildly different from your warmup, and Jane’s warmup, and Lucy’s warmup – see where I’m going here? As a physical person, you must get to know what YOUR body needs, and not rely on someone else to tell you. Do you have previously injured bits that need your attention? Working through some PT? Body feeling tight and grumpy? Your body may need a little extra preparation, even after a group warmup.

If you’re not sure how to get started, here’s a good dynamic warm-up from Cirque Physio that I like – it’s a great place to start. You can also ask your instructor for tips on what you should do before your class begins (even if your coach includes a floor warmup, because remember – one size does NOT fit all in this case). It’s your body – love it, protect it, and get to know it, because if it wears out, where are you going to live? Love and pull-ups, Laura

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